David Alexander Rahbee is currently Senior Artist in Residence at the University of Washington School of Music in Seattle, where he is director of orchestral activities and teaches conducting. He is recipient of the American-Austrian Foundation's 2003 Herbert von Karajan Fellowship for Young Conductors, the 2005 International Richard-Wagner-Verband Stipend, and the Acanthes Centre, Paris, in 2007.
Rahbee has appeared in concert with orchestras such as the Seattle Symphony, RTE National Symphony Orchestra of Ireland, Orchestre Philharmonique du Luxembourg, Kammerphilharmonie Berlin-Brandenburg, Guernsey Symphony Orchestra, Orchestre de la Francophonie, Orchesterakademie der Bochumer Symphoniker, the Dresden Hochschule orchestra, Grand Harmonie, the Boston New Music Initiative, Seattle Modern Orchestra, Orquesta Sinfónica de Loja (Ecuador), Armenian Philharmonic Orchestra, Savaria Symphony Orchestra (Hungary), Cool Opera of Norway (members of the Stavanger Symphony), Schönbrunner Schloss Orchester (Vienna), the Whatcom Symphony Orchestra, the Kennett Symphony, and the Divertimento Ensemble of Milan. At the University of Washington, he is music director of the UW Symphony and founder of the Campus Philharmonia Orchestras. He has collaborated three times with the Seattle Symphony: in 2015, as off-stage conductor for Ives’ Fourth Symphony (recorded live) and as guest conductor for their Native Lands project, and in March of 2019 he led the Seattle premiere of Páll Ragnar Pálsson’s Quake for cello and orchestra with his UW colleague Sæunn Þorsteinsdóttir. He has collaborated with several prominent soloists such as violinists Sarah Chang, Glenn Dicterow, David Chan and Joseph Lin, pianists Jon Kimura Parker, Ana-Marija Markovina and Jonathan Biss, as well as legendary jazz guitarist Bill Frisell. He has been a guest rehearsal conductor for numerous young orchestras, such as the New England Conservatory Symphony Orchestra, The Symphony Orchestras of the Hall-Musco Conservatory of Music at Chapman University, and the Vienna University of Technology orchestra, the Boston Youth Symphony Orchestras (BYSO), and Rhode Island Philharmonic Youth Orchestras (RIPYO). He served on faculty of the Pierre Monteux School and Music Festival as Conducting Associate (2014-2016), and has been resident conductor of the Atlantic Music Festival in Maine.
After apprenticing for several years with renowned musician Nicholas Harnoncourt, Rahbee has made informed performances of music of the 18th century a staple of his performing life, in particular the music of Joseph Haydn. He has led performances of dozens of Haydn orchestral works with a variety of professional and student ensembles, including a multimedia project titled “The Haydn Experience” which makes connections across Haydn’s oeuvre through a narrative concert experience.
Rahbee’s programming has earned him national recognition. He has been a finalist for three consecutive years for the American Prize in the category of Orchestral Programming for his work with the University of Washington Symphony Orchestra. The orchestra has also been a finalist in the category of orchestral performance.
He was an assistant at the Vienna State opera from 2002-2010. As part of his fellowship and residency at the 2003 Salzburg Festival, Dr. Rahbee was assistant conductor of the International Attergau Institute Orchestra, where he worked with members of the Vienna Philharmonic. He has participated in masterclasses with prominent conductors such as Sir Colin Davis, Kurt Masur, Jorma Panula, Zdenek Mácal, Zoltán Peskó, Peter Eötvös and Helmut Rilling, and counts Nikolaus Harnoncourt to be among his most influential mentors. From 1997-2001, Rahbee was conductor of the Fidelio Chamber Orchestra in Cambridge, Massachusetts, selecting its talented young members from Harvard University, the New England Conservatory, Boston University and the Longy School. From 1997 to 2000, he served as assistant conductor of the Atlantic Symphony Orchestra (formerly known as the Hingham Symphony) in Massachusetts.
Rahbeeʼs principal conducting teachers were Charles Bruck and Michael Jinbo at the Pierre Monteux School. He holds a Bachelor of Music degree in violin and composition from Indiana University, a Master of Music degree from the New England Conservatory in orchestral conducting, and a Doctorate of Musical Arts from the University of Montreal in orchestral conducting. He has also participated in post-graduate conducting classes at the Universität für Musik und Darstellende Kunst, Vienna, and spent several summers at the International Bartók Festival and Seminar in Hungary. His arrangements of various music for brass are published by Warwick Music, and his articles on the music of Gustav Mahler have appeared in journals of the International Gustav Mahler Gesellschaft, among others. He is c0-editor of Daniels Orchestral Music, 6th edition (slated for release in 2022), and Daniels Orchestral Music Online (updated monthly).
In whatever free time he manages to find, he enjoys exploring, casually following Boston sports teams, and giving informal pizza reviews.